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Archive for May, 2013

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Isa Genzken, Installation view, Hauser & Wirth

Genzken believes that sculpture must have a certain relation to reality.

The stacked assemblages reference the column, a recurring motif within her work.

Mismashing materials, Genzken explores the concept of using domestic, inanimate objects in art.

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eileen Hutton

A Collaboration with Great and Blue Tits
hexagonally shaped nests, sustainably sourced spalted beech, aluminum brackets and screws
30 cm x 130 cm x 30 cm

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armch

Brick Upholstered armchairs – Spike Island National Centre for Visual Art Production – Bristol

Exploration into the combination of structure and style, changing the commonality of the building material.

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yellow knit web

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Exhibiting at the Barber Institute, West Midlands

Michelle Taylor destroys pieces of china through processes such as sandblasting, cutting and drilling, fabricating the missing elements with vintage paper and textile processes, such as print, stitch and knit. The reconstruction and deconstruction of the work juxtaposes the harsh industrial processes of sandblasting and drilling with the peaceful, precise act of sewing.

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The Boyle family do not exclude anything as a potential subject matter. It is, however, the minimal use of artist invention, especially within their ‘Earth Pieces,’ that resonates with elements of my own practice.

The Boyle family aim to make the viewer look at reality with the same attention we devote to art, while suggesting and offering new interpretations of the environment.

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rachel Harrison

 

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Hreinn Friðfinnsson
Floor Piece 1992-07
Fluorescent paper, bookbinding material,
cardboard box

Fridfinnnsson often presents found objects with which he interferes as little as possible, creating new works that investigate ideas of the self and of time.

– http://www.serpentinegallery.org/2007/04/hreinn_fridfinnsson17_july_2_s.html

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